
Stories & Perspectives
Calligraphy & Collective Presence
Two hundred people are gathered for the U.S. opening of Thich Nhat Hahn’s Calligraphy exhibit. Thay, as his followers affectionately call him, is accompanied by 25 fellow monks. He welcomes everyone with opening remarks and a meditation. The group is then escorted into the exhibition room. The 88-piece art collection of hand painted meditations are displayed throughout the open space. Simple phrases in calligraphy such as “breathe, you are alive”, “this is a legendary moment” and “no mud, no lotus” invite the viewers to read and reflect.
In the center of the space is a circular platform elevating a desk and chair. Sitting on the desk is an ink well some paint brushes and poster-sized blank sheets of paper. The 87-year-old monk calmly sits at the desk and prepares the ink. Over the next 20 minutes, he gives a live demonstration of his calligraphy practice. With 200 people quietly gazing at him with intense interest, he paints ensos with graceful strokes and fills each circle with a meditative phrase. He appears completely at ease, as if he is alone at home with no one else around. He is fully present. We are present with him.