Stories & Perspectives
The Enduring Technology of the Majlis
An archaeological inquiry into conflict resolution
Someone recently asked me what the difference between a debate and a discussion was. My instinct was to say something about how a debate felt different, more aggressive, more confrontational. On further inspection, however, they seem to have quite similar aims: get to a conclusion by engaging the question from as many angles as possible. It made me realize that the feeling of a debate versus a discussion, is one that I assign completely unconsciously.
I asked myself: how can I be more conscious about how I engage in conversation with others? I saw that this question has been asked many times before, and that the answer may lie in the physical spaces we inhabit, and the traditions we believe in.
Come explore the historical threads which weave a collective consciousness into our contemporary world.
Sandgrouse Flight - This poem is a Qasida, the ancient Arabian poetic form often performed in the Majlis itself. Here, the form and space are inseparable.
Nasib
Night wind whispers over sand and mist cascades from the snout of a hound /
Twelve smooth stones wait half sunk in double rows in the ground
A gathering cut short by hasty boots which smothered a persistent fire /
Now a soft breath stirs embers kept warm beneath the mound
The stars lean over the long ends of the empty hearth /
The crescent illuminates where once two cushions flanked the commonground
Faint tails of smoke trace figures I nearly recognize /
Those once gathered are but a smoldering remembrance drifting upwards unbound
I rest my hand, chafed from holding my mishaab, on the side of my camel /
I feel its drumming heartbeat through thick and knotted hide mound
“Do not die of grief, but bear it patiently” /
It is when you fight the white waters, you’ll find yourself drowned
Rahil
And a zephyr slices through whispered words carrying them into the shifting expanse /
Goat skin pressed to weeping eye, for in the sand a use for all moisture is found
Pale blue ushers out the last hours of silence before the drumming heat /
Sun, still hidden beneath the horizon, sounds the low horn of life inbound
The sandgrouse returns from a dawn journey bearing feathers soaked in water for its young /
In her flight of solitude the memory of little loves draws her back to their hidden compound
Today she is my beacon towards which I will search for water /
She’s endlessly enduring the weight of care, flight counted not in miles but pounds
Now the running shadows grow weary and the drumming crescendos to a blinding intensity /
Upwards juts a great stone, ancient and browned
Shaded fingers reach Eastward as its west face gazes defiant towards the afternoon sun /
I pull my reins towards the shadows pooled beneath the mesa’s jagged crown
A tug at the Jidajah halts my camel before two children draped in white /
They motion towards the Western side away from the sun’s blazing round
My instinct pulls me East where shade cuts sharp and cool /
But their gaze is certain, they gesture and I go around
And there it is, hidden by salt-stinging eyes, and swimming in mirage /
From whence the sandgrouse flocked, a well, dug deep their knowledge proved profound
Madih
The sky and dirt now hide behind the shadows bled with shadows /
A soft glow spills between the tent flaps outbound
In her final act of grace she kneels into the cooling sand /
Her breathing can slow, her legs may rest, her energy rewound
Stepping past the circle’s edge the cushions give beneath me /
A weave of twelve voices fill the corners with sound
Dancing flames lick the brass base of the coffee pot and play along the walls /
Twenty-four rough hands softly overlap as cups make their way around
The two children draped in white reappear before a whispering elderly man /
Light flickers in their eyes and they nod to teachings known
I step towards the hearth and the shifting around me slows to a hush /
Their eyes are curious, their hands lie open, and I am found
Why do misunderstandings drive wedges in relationships? Why is it hard to admit mistakes to your boss? Why can’t I confront my friends when their actions leave me dejected?
Maybe conflict is innately painful, and we cannot escape facing the trials of human connection.
But maybe we’re thinking about it all wrong. Maybe there are ways through hard problems, without pushing us apart from each other? Maybe we need philosophers to go forth and find how.
Or, maybe we already know how.
Traditional institutions of conflict resolution offer three practices to reveal the answer: intentional physical space, intergenerational dialogue, and a willingness to believe.
Arising in Pre-Islamic Bedouin culture, the Majlis is designed from its outset to facilitate dialogue in its physical space. Cushioned seats circle the room, art drapes against the walls, and low tables carrying gahwa rest on a collage of rugs.
Dancing flames lick the brass base of the coffee pot and play along the walls /
Twenty-four rough hands softly overlap as cups make their way around
The Majlis’ form is vital to its role in Bedouin culture. Inside the Majlis, poets come as diplomatic envoys, history is transcribed through oral tradition, and the most salient conflicts to the community are resolved. The physical space inside Majalis disarm before a word is spoken. The soft cushions beg members to sink into their seats and share connection to those nearby. The circular orientation directs attention to any speaker, no matter their rank or status. The coffee is shared between friends and enemies alike when it passes between hands.
The Majlis stands in stark contrast to the Boardroom, its long cold table, led by one figure, designed to protect hierarchy. When voices stand on unequal footing, or in opposition to each other, their meaning can get lost in power dynamics. Once I stand opposed to you, one of us will come out of this a winner, the other a loser. The Boardroom is a physical reminder that each voice is not equal, the Majlis begs to differ.
Fifteen centuries of cultural and political shifts later, the Majlis remains a vital ecosystem for dispute resolution in Arabia. What has let the Majlis stand the test of time? The answer may lie in Subsaharan Africa, beneath the Iroko trees.
The Palaver tree, spread wide across the African continent south of the Saharan desert, stands as an institutional twin to the Majlis. Gathered beneath the Iroko or Baobab tree in village centers, entire communities solve civil disputes. Around the Palaver, all voices are respected and no member of the community is denied participation.
The Palaver is primarily a technology for sustainability. The community’s most difficult conflicts are solved around the Iroko tree. After congregating, no actions may be taken by the community until consensus is reached, a process that can take hours if not days. Not only is the contemporary community taken into consideration, but generations past, and generations yet to be are considered. The dialogue extends beyond just those visible, to the invisible.
The two children draped in white reappear before a whispering elderly man /
Light flickers in their eyes and they nod to teachings known
The practices of the Palaver acknowledge each individual, accept them into the community, then orient solutions to be to the benefit of the many, permeating down to support each individual. The Palaver is not in a hurry.
Ultimately, institutions like the Majlis and the Palaver arise from social and political decisions. These institutions are developed to ease the burden of both civil and political conflict resolution. They have real practical use-cases as tribunal spaces. They serve similar purposes to a Western Court of Law, or a corporate Boardroom, yet there is something distinct about the Majlis and the Palaver. Their legitimacy as institutions does not come from a monopoly of violence or financial coercion, it comes from something less tangible, but perhaps more powerful. Their legitimacy comes from a willingness to believe in the technology.
I step towards the hearth and the shifting around me slows to a hush /
Their eyes are curious, their hands lie open, and I am found
At the Majlis, rituals of song, oral history, and the propagation of the poetic tradition inspire a belief in the power of the Majlis, rooted in culture, art and connection. At the Palaver, song, dance, and storytelling serve as a reminder of the wisdom of ancestors. These rituals ease tension and remind the participants of the Ubuntu principle that it is paramount not to sever the sacred bond between an individual and the community. These institutions do not get their legitimacy through coercion, they give each individual the opportunity to believe in something bigger, and more powerful than themselves.
If we seek more conscious paths through hard problems, we must engage together, then project solutions accordingly. How communication feels is up to us, and the institutions we believe in. Conscious communication is conflict resolution that does not pit participants as opponents, but rather as collaborators. In conscious communication, we all share the goal of listening to, putting forth, and coming to conclusions not as winners or losers, but as one.
Further readings for a curious individual -
The Palaver Tree with Jean Yves Ndzana Ndzana (2025)
Under the Palaver Tree: Community Ethics With Anna Floerke Scheid (2011)
The Poem of Imru-Ul-Quais
The Qasida from the Poetry Foundation
What is the Majlis from History Rise
History of Islam
Palaver from Oxford Public International Law
Majlis from UNESCO World Heritage
Majlis from Observatoire du Patrimoine d’Orient et de Méditerranée